Little Amélie or the Character of Rain is a sweet, tender exploration of the humanistic value of sentimentality and companionship. It’s a remarkably human film, despite its protagonist consistently trying to convince herself otherwise
DEREK EX MACHINA, created by author and editor Derek L.H., is a blog dedicated to exploring the effect that video games and film have on people.
All in Movie Review
Little Amélie or the Character of Rain is a sweet, tender exploration of the humanistic value of sentimentality and companionship. It’s a remarkably human film, despite its protagonist consistently trying to convince herself otherwise
Tron: Ares provides comfort through its immersion, and the coolness embedded into the very essence of this movie only further drenches the film in style. It’s enough for Tron: Ares to be a cool film above all else, because such an emotion and style is one that we don’t see much of as a primary emotion elicited in blockbuster films such as this.
Weapons is a refreshing reminder that there are still new ways to tell familiar stories and unfamiliar ways. While this is far from the first horror-adjacent film to tackle a mysterious conflict about grade-school children disappearing, the smart use of perspectives and the judicious blend of thrills, mystery, and dark humor makes for an unforgettable viewing experience.
Sorry, Baby is a beautiful case study in the power of telling stories centered on authenticity and a willingness to be grounded. Through its narrative structure showing how one instance of trauma influences different aspects of its protagonist’s life, Sorry, Baby weaves a compelling, believable, funny, and harrowing tale that I strongly believe anyone will enjoy and look fondly upon despite its heavy subject matter.
Through utilizing fantasy elements to illustrate the importance of teaching future generations of their cultural backgrounds, Wolf Children tells a story that feels as deeply moving and informative as it feels entertaining and fun. Wolf Children holds within it a perfect balance of humor, heartbreak, and emotional erudition.
Bob Trevino Likes It carries with it an infectious optimism amid its heavy emotion, and that’s what makes the film so satisfying, uplifting, and sometimes heartbreaking to watch. Connection is something that dramatically transforms Lily, allowing her to become a better version of herself, and such a thing can and should happen to all of us.
Flow animates a tragic, yet hopeful tale filled with expressive, cute, and resilient animals that show more character growth than in the film’s verbal contemporaries. Flow is a gorgeous beacon of hope for what animation continues to be capable of.
Few movies explore this experience as succinctly and genuinely as A Real Pain. Through a script that masterfully balances chaotic discomfort and quietude, A Real Pain makes for one of the best film experiences of the year.
Heretic is a supremely smart, hilarious, and disturbing movie that masterfully balances emotion, logic, and skepticism to craft a story that is sure to inspire broader, deeper conversations about faith and its relationship with control among its audience.
Exhibiting Forgiveness is an emotional adventure that smartly and gracefully investigates how the broken relationships of the past can inform the new relationships we build in the future. This film excellently reveals information to its audience in a way that humanizes the very real pain experienced and brought about by its characters in honest, profound way.
Look Back is a tender, heartfelt exploration of how much can change in what feels like a short amount of time. So many aspects of our lives shift throughout time. Look Back is an excellent, bittersweet exploration of these shifts and how they inform the person we become.
A Different Man is a film ultimately concerned with our relationship with individuality and the comparisons we make with others through highlighting two characters' opposite relationships with their attitude towards the world and their disabilities.
Beyond providing a fun adventure with stellar and stylish animation, The Wild Robot concerns itself with providing believable characters that overcome believable obstacles that much of its audience, regardless of age, will connect with.
Theming is at the very core of The Substance. This is a film that is ultimately concerned with having a conversation with its audience - a conversation about what leads people to develop ideas that cause them to hate themselves and what they look like.
Through intelligent framing and using the audiences familiarity with the film’s genre against them, Strange Darling subverts and weaponizes audience expectations, making them just as much of a victim as the many characters who get bested in the film.
Sing Sing stands far above its contemporaries due to its uniquely authentic and intellectual approach to its story, performances, and themes about hope, humanity, and integrity. This film respects those whose story this film is based on while also being a story full of heart and humanity that its depicted inmates share.
Dìdi is a special film thanks to its dedication to authenticity. [The film] authentically captures the struggle of becoming emotionally intelligent in a way that everyone can understand - especially those that also grew up in an era where technology and the internet grew alongside us.
Through its dark humor and brilliantly realized characters, The Art of Self-Defense manages to say a lot about violence and masculinity without every coming across as full of itself or preachy. Self-Defense is a film that very much understands what it is and the kind of story it’s trying to tell, and doesn’t attempt to be anything that it isn’t. What results is a film that is tightly focused, funny, and intelligent.
What makes Spider-Man: Into the Spider-Verse so special to me is that a begets its audience to rethink what animation is capable of. This film could have easily adopted a live-action counterpart, or used a more traditional CG art style - but it didn’t. Why was this? Why, in this instance, did Sony choose to take a riskier and more stylistic approach when a safer, more often-used presentation would have been easier (and likely more profitable)? The answer to that…is passion.
Widows - while certainly having some excellently realized commentary on modern western culture and the increasing spread of apathy - doesn’t manage to do much you haven’t seen before in a heist film […] It’s certainly flawed, but it’s clear that this film was a product of smart and lovingly-crafted writing and direction, which alone makes it worth a watch.