DEREK EX MACHINA, created by author and editor Derek L.H., is a blog dedicated to exploring the effect that video games and film have on people.
All tagged Review
I’ve had difficulty praising Ghost of Yōtei ever since completing it, mostly because its positive qualities are clearly self-evident to anyone that’s already gotten a taste of this series with Tsushima. Ghost of Yōtei doesn’t add many new reasons to like this style of game nor does it create new positive qualities about it that were completely absent in what came before.
I played Kingdom Hearts because doing so gave me joy, and it reminds me that I want to write stories and make games to bring joy to others. There doesn’t have to be more to it than that. It may not be possible to be normal about Kingdom Hearts, but I think remembering the value of finding joy during our limited time in this world is the most normal, natural thing that we can possibly strive for.
Although Octopath Traveler 0 recycles content from both the original Octopath Traveler via settings and characters as well as Champions of the Continent via story and party members, it ultimately takes familiar elements to carve a new path forward. I think such an approach is deeply admirable, especially because it does so in the pursuit of ensuring that all the content produced in CotC will now permanently live on.
Xenosaga is as interesting of a series to talk about as it is because it’s impossible to blanket hate or love the series. Anyone that plays Xenosaga is going to have a complicated relationship with it because, well, Xenosaga itself is complicated. The inherent complexity to everything about the series is what makes it so fascinating to play, to discuss, and to remember.
I truly hold my gameplay experience of Shin Megami Tensei V: Vengeance with extremely high regard. This game offers some of the best turn-based combat I’ve ever experienced in a game. The game delivers excellent atmosphere that keeps the uniquely SMT twist of grunginess alive and fresh. There’s so much to like in Shin Megami Tensei V: Vengeance that it makes its few shortcomings stick out even more.
Age of Imprisonment is a game that is itself imprisoned. Its commitment to tell a canon story and inherit the best (and worst) of Tears of the Kingdom’s mechanics and identity limits its overall potential. That isn’t enough to make the game a disappointment, but it is enough to bring into view the chasm that separates the game that Age of Imprisonment is versus the game it could have been.
Not only is Expedition 33 a fun RPG, it’s an unflinchingly courageous one. It tackles ambitious narrative themes, has tantalizingly deep mechanics that lead to boundless customization and player expression, and boasts the production value of a game that has ten times its budget. Expedition 33 punches above its weight in pursuit of a more idyllic landscape for games.
Tron: Ares provides comfort through its immersion, and the coolness embedded into the very essence of this movie only further drenches the film in style. It’s enough for Tron: Ares to be a cool film above all else, because such an emotion and style is one that we don’t see much of as a primary emotion elicited in blockbuster films such as this.
Cracks of the original game’s shortcomings still manage to reveal themselves in this 2020 update, but Trials of Mana’s remake manages to at least surround those cracks with an armor that’s as pretty as it is promising. Trials of Mana is a promise about the potential of simplicity and how much of a place there is for games that meld simplicity and complexity.
Sorry, Baby is a beautiful case study in the power of telling stories centered on authenticity and a willingness to be grounded. Through its narrative structure showing how one instance of trauma influences different aspects of its protagonist’s life, Sorry, Baby weaves a compelling, believable, funny, and harrowing tale that I strongly believe anyone will enjoy and look fondly upon despite its heavy subject matter.
Star Ocean: The Second Story R is short and sweet thanks to great pacing, unique mechanics, and fun if unambitious combat, yet it still retains a lot of artifacts that reveal its age - many of which arise from the game’s lacking story, characters, and dungeon design. This game embodies the snappiness and visual splendor that I’d truly like to see more of elsewhere in the JRPG genre.
Every creator, regardless of what they make, shares a common goal: make something special; make something deeply meaningful to at least a single person. As a collection of creators, Monolith Soft remarkably succeeded at their goal of creating something that brought a smile to players’ faces because of the imaginative world they’ve created and the fun adventures and gameplay experiences that naturally come about in that world.
Bob Trevino Likes It carries with it an infectious optimism amid its heavy emotion, and that’s what makes the film so satisfying, uplifting, and sometimes heartbreaking to watch. Connection is something that dramatically transforms Lily, allowing her to become a better version of herself, and such a thing can and should happen to all of us.
Collection of Mana is a tough sell, given that two of its three games are disappointing messes in my mind. However, I do find it to be worthwhile peek into the series, especially for new fans introduced through the series’ more modern titles. In light of the frustration that I shouldered throughout my time with Secret and Trials of Mana, the optimist within me sees the potential that his collection occasionally gives players glimpses of.
Metaphor: ReFantazio is a special game. It’s a type of game that inspires newfound hope in the future of JRPGs. While the game stumbles a tad with its unimpressive dungeon and quest design, the incredible narrative, worldbuilding, characters, and gameplay opportunities make for an unforgettable RPG experience that any fan of the genre needs to experience.
Persona 3 Reload doesn’t need to exist, but I’m glad that it does. This remake is a case of refinement over reinvention - aside from a fresh coat of paint and a couple additions here and there, Reload is ultimately concerned with presenting Persona 3 in a way that’s on par with Atlus’ more recent titles. In that context, Reload is as great of an execution of this mission as you can get.
Exhibiting Forgiveness is an emotional adventure that smartly and gracefully investigates how the broken relationships of the past can inform the new relationships we build in the future. This film excellently reveals information to its audience in a way that humanizes the very real pain experienced and brought about by its characters in honest, profound way.
Beyond providing a fun adventure with stellar and stylish animation, The Wild Robot concerns itself with providing believable characters that overcome believable obstacles that much of its audience, regardless of age, will connect with.
Through intelligent framing and using the audiences familiarity with the film’s genre against them, Strange Darling subverts and weaponizes audience expectations, making them just as much of a victim as the many characters who get bested in the film.
Dìdi is a special film thanks to its dedication to authenticity. [The film] authentically captures the struggle of becoming emotionally intelligent in a way that everyone can understand - especially those that also grew up in an era where technology and the internet grew alongside us.
